Dorchester Projects

Artist: Theaster Gates
Location: Chicago, U.S.A
Year of completion: 2009
Researcher: Megan Guerber

Gates began by moving himself into the neighborhood in 2006. He purchased and restored the home adjacent to his own, using recycled and salvaged materials when possible, including wood from a North Side bowling alley. He then installed 14,000 art and architecture books from a recently closed local bookstore and a collection of 60,000 archived glass lantern slides donated by the University of Chicago’s Art History Department.

Now covering half a dozen properties, the project continues to expand. Events and work have been supported by grants and donations, but Gates is also developing alternative means to finance and sustain continued growth, and to bolster the local economy. He recently purchased an abandoned bank whose marble will be repurposed, turned into artworks to be sold to help fund the building’s renovation. The largest project to date, the bank is slated to house the permanent library of John H. Johnson, founder of Ebony and Jet magazines, as well as a restaurant, community rooms, and performance and exhibition spaces. A planned local brick factory will furnish building supplies for a variety of Dorchester Projects and local residents have been hired to carry out the work. A further expansion is schedule to renovate a 36-unit housing complex to create mixed-income housing for both local residents and emerging artists, replete with a community arts center for performances, exhibitions, and other programming.

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To counter this exodus, Gates envisioned revitalizing the neighborhood by turning empty properties into arts and community spaces. .Now covering half a dozen properties, the project continues to expand. Events and work have been supported by grants and donations, but Gates is also developing alternative means to finance and sustain continued growth, and to bolster the local economy.

In 2006 Theaster Gates moved into Chicago’s Greater Grand Crossing neighborhood, which was suffering from economic downturn, with the idea of creating a possible “residual effect” throughout the area via his own presence and property maintenance. Nation-wide, however, economic hardship and the impact of the housing market crash intensified, and one by one, neighborhood properties were vacated. To counter this exodus, Gates envisioned revitalizing the neighborhood by turning empty properties into arts and community spaces. With his own money, he purchased and restored the property adjacent to his own, using locally recycled and salvaged materials when possible. He then installed 14,000 art and architecture books from a recently closed local bookstore and a collection of 60,000 archived glass lantern slides donated by the University of Chicago’s Art History Department.

All copyright belongs to Shanghai Academy of Fine Arts, Shanghai University.

Progress Agency